Alice’s Adventures in Wonderland. Family Day at the Ransom Center

Alice’s Adventures in Wonderland. Family Day at the Ransom Center

Visit Alice’s Adventures in Wonderland on Saturday, April 25, between 10 a.m. and 5 p.m. and enjoy free activities for the young and young in mind. You can easily be involved in writing activities with teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program or engage with Lewis Carroll–inspired math activities with local math literacy organization Math Happens. University of Texas at Austin museum theater students will lead visitors through the galleries. Additional activities include docent-led exhibition tours and story times into the theater. Family days are generously supported by a grant from the Austin Community Foundation, with in-kind support supplied by Terra Toys.

Below is a schedule that is detailed

Teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program will lead writing activities at the top the hour from 10 a.m. through 4 p.m.

Join a tour that is docent-led of exhibition at noon, 2 p.m., and 4 p.m.

Enjoy story time in the theater at 1:15 p.m. and 3:15 p.m.

Follow University of Texas at Austin museum theater students through the galleries between 10 a.m. and noon.

Complete Lewis Carroll–inspired math activities with Math Happens while you tour the galleries.

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Before and After: “Alice’s Adventures in Wonderland” Movie Jecktors

The exhibition Alice’s Adventures in Wonderland features two 1933 toy paper film strips called Movie Jecktors. The movie strips portray two of the most extremely memorable parts of the Alice story: “Down the Rabbit Hole” and “The Mad Hatter.” Images and text are printed in three colors on 35? strips of translucent paper. The strips are rolled onto wooden dowels and stored in colorfully printed little boxes. The Movie Jecktors will have been used with a toy film projector to create a simple animation.

The Ransom Center’s Movie Jecktors required conservation before they could be safely displayed within the galleries. Both the wooden dowel additionally the storage box, which can be manufactured from wood pulp cardboard, had a high acid content. An acidic environment is damaging to paper. The Movie Jecktors had become brittle and discolored, and there have been tears that are many losses into the paper. The movie strips had been repaired in past times with pressure-sensitive tapes (the common tape we all use to wrap gifts). These tapes will never be right for repairing paper that individuals aspire to preserve because they deteriorate and often darken over time and may also be tough to remove once set up.

Whilst the Ransom Center’s paper conservator, I removed the tapes using a tool that is heated reduced the rest of the adhesive using a crepe eraser. I mended the tears and filled the losses using paper that is japanese wheat starch paste. The japanese paper was pre-toned with acrylic paint to allow these additions to blend with the original paper for the fills. Regions of ink loss are not recreated.

People to the exhibition can see the aspects of the filmstrips that were damaged, but those areas are now stabilized and less distracting. This kind of treatment reflects the practice of conservation to preserve, not “restore,” the object’s original appearance. Libraries, archives, and museums today often choose the conservation approach as it allows researchers as well as other visitors a far better knowledge of the object’s history, including damages that occurred, which could talk with the materials utilized in the object’s creation.

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Please click on thumbnails to enlarge images.

Easter weekend hours

The Ransom Center may be open throughout Easter weekend, including on Friday, April 3, from 10 a.m. to 5 p.m, as well as on Saturday and Sunday from noon to 5 p.m.

Free docent-led gallery tours occur daily at noon and Saturdays and Sundays at 2 p.m. No reservations are expected.

Admission is free. Your donation will support the Ransom Center’s exhibitions and public programs. Parking information and a map are available online.

Please additionally be aware that the Ransom Center’s Reading and Viewing Room is open from 9 a.m. to 5 p.m. on Saturday, April 4.

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John Crowley, whose archive resides during the Ransom Center, is an author that is american of, science fiction, and mainstream fiction. He published his novel that is first Deep, in 1975, along with his 14th number of fiction, Lord Byron’s Novel: The Evening Land, in 2005. He’s got taught creative writing at Yale University since 1993. A particular 25 th -anniversary edition of his novel Little, Big may be published this spring. Below, he shares how Lewis Carroll’s Alice’s that is classic Adventures Wonderland influenced his or her own work.

A critical (best sense) reader of could work once wrote an entire essay about allusions to and quotes from Lewis Carroll’s Alice’s Adventures in Wonderland books in a novel of mine called Little, Big—a very Alice type of title to begin with. A number of the quotes and allusions, while certainly there, were unconscious; the turns of phrase and paradoxes and names in those books are so ingrained they simply form part of my vocabulary in me that. I first heard them read out loud: my older sister read them to me when I was about eight yrs . old. I don’t remember my reaction to Alice in Wonderland—except for absorbing it wholly—because for many books read or heard at certain moments in childhood, there is no first reading: such books enter the mind and soul as though that they had always been there. I really do remember my response to Through the Looking Glass: i came across it unsettlingly weird, dark, dreamlike (it is in fact the greatest dream-book ever written). The shop where the shopkeeper becomes a sheep, then dissolves into a pond with Alice rowing while the sheep within the stern knitting (!)—it wasn’t scary, nonetheless it was eerie given that it so exactly replicated the movements of places and things and people in my dreams, of which I ended up being becoming a connoisseur. How did this written book know about such things?

Another connection that is profound have with Alice I only discovered—in delight—some years ago in (of all places) the Wall Street Journal. This neurological condition makes objects (including one’s own body parts) seem smaller, larger, closer or more distant than they really are in an article about odd cognitive and sensory disorders, it described “Alice in Wonderland syndrome:” “Named after Lewis Carroll’s famous novel. It’s more common in childhood, often in the start of sleep, and may also disappear by adulthood…”

We have tried to describe this syndrome to people for many years, and not once met anyone who recognized it from my descriptions. In my experience it is more odd a sense than this, and more ambivalent: personally i think (or felt, as a child, almost never any more) as though my hands and feet are vast amounts of miles distant from my head and heart, but in the same essay helper time I am enormously, infinitely large, and thus those parts have been in exactly the same spatial regards to myself as ever, and even monstrously closer. It was awesome within the strict sense, not scary or horrid, uncomfortable but also intriguing. I wonder if Carroll (Dodgson, rather) had this syndrome. I’ve thought of including it back at my resume: “John Crowley was created in the appropriately town that is liminal of Isle, Maine, and also as a kid suffered from or delighted in Alice in Wonderland syndrome.”